'I hate you, I hate you!' cried Madeline, a thing I didn't know anyone ever said except in the second act of… — P.G. Wodehouse

I was expecting Pop Bassett to give an impersonation of a bomb falling on an ammunition dump, but he didn’t. Instead, he continued to exhibit that sort of chilly stiffness which you see in magistrates when they’re fining people five quid for boyish peccadilloes.

I've seen him a couple of times in the arena, and was profoundly impressed by his virtuosity. Rugby football is more or less a sealed book to me, I never having gone in for it, but even I could see he was good. The lissomness with which he moved hither and thither was most impressive, as was his homicidal ardour when doing what I believe is called tackling. Like the Canadian Mounted Police he always got his man, and when he did so the air was vibrant with the excited cries of the morticians in the audience making bids for the body.

...as I felt my way along the wall I collided with what turned out to be a grandfather clock, for the existence of which I had not budgeted, and it toppled over with a sound like the delivery of several tons of coal through the roof of a conservatory. Glass crashed, pulleys and things parted from their moorings, and as I stood trying to separate my heart from the front teeth in which it had become entangled, the lights flashed on and I beheld Sir Watkyn Bassett.