Neil Gaiman

Life is life, and it is infinitely better than the alternative, or so we presume, for nobody returns to dispute it. Such is my motto.

We are mature, we decide what we read or do not read.

I was a normal child. Which is to say, I was selfish and I was not entirely convinced of the existence of things that were not me, and I was certain, rock-solid unshakably certain, that I was the most important thing in creation. There was nothing that was more important to me than I was.

We build the stories in our heads. We take words, and we give them power, and we look out through other eyes, and we see, and experience, what others see. I wonder, Are fictions safe places? And then I ask myself, Should they be safe places?

I lived in books more than I lived anywhere else.

He was demonstrating to the world the writing was a craft, that it was not an act of magic.

Adults follow paths. Children explore. Adults are content to walk the same way, hundreds of times, or thousands; perhaps it never occurs to adults to step off the paths, to creep beneath rhododendrons, to find the spaces between fences. I was a child, which meant that I knew a dozen different ways of getting out of our property and into the lane, ways that would not involve walking down our drive.

He was kind, and gentle, with that midwestern niceness that’s a positive thing rather than an absence of character.

I knew enough about adults to know that if I did tell them what had happened, I would not be believed. Adults rarely seemed to believe me when I told the truth anyway. Why would they believe me about something so unlikely?

Life imitates art, but clumsily, copying its movements when it thinks it isn’t looking.

“Will she be the same?”

The old woman guffawed, as if I had said the funniest thing in the universe. “Nothing’s ever the same,” she said. “Be it a second later or a hundred years. It’s always churning and roiling. And people change as much as oceans.”

There are things that upset us. That’s not quite what we’re talking about here, though. I’m thinking rather about those images or words or ideas that drop like trapdoors beneath us, throwing us out of our safe, sane world into a place much more dark and less welcoming. Our hearts skip a ratatat drumbeat in our chests, and we fight for breath. Blood retreats from our faces and our fingers, leaving us pale and gasping and shocked.

And what we learn about ourselves in those moments, where the trigger has been squeezed, is this: the past is not dead. There are things that wait for us, patiently, in the dark corridors of our lives. We think we have moved on, put them out of mind, left them to desiccate and shrivel and blow away; but we are wrong. They have been waiting there in the darkness, working out, practicing their most vicious blows, their sharp hard thoughtless punches into the gut, killing time until we came back that way.

The monsters in our cupboards and our minds are always there in the darkness, like mold beneath the floorboards and behind the wallpaper, and there is so much darkness, an inexhaustible supply of darkness. The universe is amply supplied with night.

What do we need to be warned about? We each have our little triggers.