Our ancestors made of woman an object inseparable from darkness, like lacquerware decorated in gold or… — Junichiro Tanizaki
Our ancestors made of woman an object inseparable from darkness, like lacquerware decorated in gold or mother-of-pearl. They hid as much of her as they could in shadows, concealing her arms and legs in the folds of long sleeves and skirts, so that one part and one only stood out — her face. The curveless body may, by comparison with Western women, be ugly. But our thoughts do not travel to what we cannot see. The unseen for us does not exist. The person who insists upon seeing her ugliness, like the person who would shine a hundred-candlepower light upon the picture alcove, drives away whatever beauty may reside there.
p. 30Source: Wikiquote · CC BY-SA 4.0
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Whenever I see the alcove of a tastefully built Japanese room, I marvel at our comprehension of the secrets of shadows, our sensitive use of shadow and light. For the beauty of the alcove is not the work of some clever device. An empty space is marked off with plain wood and plain walls, so that the light drawn into it forms dim shadows within emptiness. There is nothing more. And yet, when we gaze into the darkness that gathers behind the crossbeam, around the flower vase, beneath the shelves, though we know perfectly well it is mere shadow, we are overcome with the feeling that in this small comer of the atmosphere there reigns complete and utter silence; that here in the darkness immutable tranquility holds sway.
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Were it not for shadows, there would be no beauty.
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Such is our way of thinking — we find beauty not in the thing itself but in the patterns of shadows, the light and the darkness, that one thing against another creates.
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