John Crowley

It seems to him that he extends backwards (or is it forwards?) without beginning (or is it end?) and he can't just now remember whether the great tales and plots which he supposes he knows and forever broods on lie in the to-come or lie dead in the has-been. But then suppose that's how secrets are kept, and age-long tales remembered, and unbreakable curses made too.

Prosper Olander had never been in a cathedral, but now he felt something like that, the experience of entering suddenly a space so large, so devoted to a single purpose, that the insides of the heart are drawn for a moment outward and into it, trying to fill it, and failing.

He knew there must be a Ring, and he patted his pocket where he had it; he thought there should be a Best Man, though when he wrote so to Daily Alice she wrote that they didn't believe in that; and as for Rehearsals, she said when he mentioned them, "Don't you want it to be a surprise?"

The vastest point, the center, the infinity — Faëry, where the gigantic heroes ride across endless landscapes and sail sea upon sea and there is no end to possibility — that circle is so tiny it has no doors at all.

She couldn't see that, though, because the haze out at sea erased the ship long before it could beyond the horizon, drawing after it the other ships. Diane felt the thread of connection between her and Danny drawn out infinitely thin, until it broke with a hurt to her heart she'd known she'd have to feel, but worse than she thought it would be.

We weren't where we were in those times because we had been thrown or moved there. We didn't think so. We felt we had impelled ourselves, like the faring pioneers and immigrants driving their wagons or pushing their barrows who somewhere somehow along the way stopped and settled. [...] True, in some places we stayed on where our fathers and mothers and grandfathers had first settled, but even so we were caught up in that motion if our parents and grandparents had happened to settle in places that those on the move were now headed for or drawn to—seemingly blown to, you might think seeing them, as by those cosmic tornadoes that lift a boy on a bicycle or a chicken coop full of chickens or a ford car with Gramps and Gram inside and set it down unharmed somewhere else.

There wasn't any answer to that. So he tried harder, and the question got more circumstantial and tentative, and at the same time more precise and exact; and still there were no answers, only the fuller and fuller form of the question, evolving as Auberon had described to her all life evolving, reaching out limbs and inventing organs, reticulating joints, doing and being in more and more complex yet more and more compact and individuated ways, until the question, perfectly asked, understood its own answerlessness.

"Love is a myth", Grandfather Trout said. "Like summer."

"What?"

"In winter," Grandfather Trout said, "summer is a myth. A report, a rumor. Not to be believed in. Get it? Love is a myth. So is summer."

Prosper's earliest memory was of hearing the enormous Hoover starting up somewhere in the house, brand-new then possibly, anyway unknown to him, an inexplicable noise at once a roar and shriek and coming closer; moving away; closer again, and evidently seeking him out where he lay in bed. Then to find the great gray floor-sucker thing entering his room, manipulated by his grim-faced mother, therefore not dangerous at all, maybe.