James Branch Cabell
Quotes
"Now I wonder what it is you find in that dark pool to keep you staring so?" the stranger asked, first of all.
"I do not very certainly know," replied Manuel "but mistily I seem to see drowned there the loves and the desires and the adventures I had when I wore another body than this. For the water of Haranton, I must tell you, is not like the water of other fountains, and curious dreams engender in this pool."
Figures of EarthCoth admitted that, say what you might as to the Manuel who had really lived, the squinting rascal did as a rule know what he was talking about.
The Silver StallionThey tell me that truth lies somewhere at the bottom of a well, and at virtually the door of our home is a most notable if long dried well. Our location is thus quite favorable, if we but keep patience.
The Silver StallionDreaming a dream to prize,
Is wishing ghosts to rise;
And, if I had the spell
To call the buried — well,
Which one would I?
The Cream of the JestKennaston no longer thought of himself as a man of flesh-and-blood moving about a world of his compeers. Or, at least, that especial aspect of his existence was to him no longer a phase of any particular importance.
The Cream of the JestIt was not his to choose from what volume or on which page thereof he would read; accident, as it seemed, decided that; but the chance-opened page lay unblurred before him, and he saw it with a clarity denied to other men of his generation.
The Cream of the JestKennaston could find in the past — even he, who was privileged to view the past in its actuality, rather than through the distorting media of books and national pride — no suggestion as to what, if anything, he was expected to do while his physical life lasted, or to what, if anything, this life was a prelude. Yet that to-day was only a dull overture to to-morrow seemed in mankind an instinctive belief. All life everywhere, as all people spent it, was in preparation for something that was to happen to-morrow.
The Cream of the JestI also begin where he began, and follow wither the dream led him. Meanwhile, I can but entreat you to remember it is only by preserving faith in human dreams that we may, after all, perhaps some day make them come true.
The Cream of the JestLet us extinguish this candle says Jurgen, "for I have seen so many flames to-day that my eyes are tired."
So Florimel extinguished the candle, with a good-will that delighted Jurgen. And now they were in utter darkness, and in the dark nobody can see what is happening. But that Florimel now trusted Jurgen and his Noumarian claims was evinced by her very first remark.
"I was in the beginning suspicious of your majesty," said Florimel, "because I had always heard that every emperor carried a magnificent sceptre, and you then displayed nothing of the sort. But now, somehow, I do not doubt you any longer. And of what is your majesty thinking?"
"Why, I was reflecting, my dear," says Jurgen, "that my father imagines things very satisfactorily."
JurgenIt is true I have not told you everything. Why should I? No Author ever does.... With Felix Kennaston — or, if you prefer it so, with Horvendile, — rests safe this secret and peculiar knowledge as to how the life of Manuel may yet repair to its first home after some seven centuries of exile. Thus will the traveller return — by and by — to the place of his starting; the legend of the second coming of the Redeemer will be justified, in, at all events, my lesser world; and the tale to Manuel's life will have come again, as it did once beside the pool of Haranton, full circle.
The Cream of the JestTo-day alone was real. Never was man brought into contact with reality save through the evanescent emotions and sensations of that single moment, that infinitesimal fraction of a second, which was passing now — and it was in the insignificance of this moment, precisely, that religious persons must believe. So ran the teachings of all dead and lingering faiths alike. Here was, perhaps, only another instance of mankind's abhorrence of actualities; and man's quaint dislike of facing reality was here disguised as a high moral principle. That was why all art, which strove to make the sensations of a moment soul-satisfying, was dimly felt to be irreligious. For art performed what religion only promised.
The Cream of the Jest"Why is a Kennaston?" he asked himself — thus whimisically voicing a real desire to know if human beings were intended for any especial purpose. Most of us find it more comfortable, upon the whole, to stave off such queries — with a jest, a shrug, or a Scriptural quotation, as best suits personal taste; but Kennaston was "queer" enough to face the situation quite gravely.
The Cream of the Jest


