Jack Kerouac

‘Now you see, man, there’s real woman for you. Never a harsh word, never a complaint, or modified; her old man can come in any hour of the night with anybody and have talks in the kitchen and drink the beer and leave any old time. This is a man, and that’s his castle.'

"Sal, we gotta go and never stop going till we get there."

"Where we going, man?"

"I don't know but we gotta go."

Who did they think they were, yaahing at somebody on the road just because they were little high-school punks and their parents carved the roast beef on Sunday afternoons? Who did they think they were, making fun of a girl reduced to poor circumstances with a man who wanted to belove?

The strange young heroes of all kinds, white, colored, Mexican, pure Indian, were on the field, performing with heart-breaking seriousness. Just sandlot kids in uniform. Never in my life as an athlete had I ever permitted myself to perform like this in front of families and girl friends and kids of the neighborhood, at night, under lights; always it had been college, big-time, sober-faced; no boyish, human joy like this. Now it was too late.

They were great, grave Indians and they were the source of mankind and the fathers of it... And they knew this when we passed, ostensibly self-important moneybag Americans on a lark in their land; they knew who was the father and who was the son of antique life on earth, and made no comment.

I want you par-ti-cu-lar-ly to see the eyes of this little Mexican boy who is the son of our wonderful friend Victor, and notice how he will come to manhood with his own particular soul be-speaking itself through the windows which are his eyes, and such lovely eyes surely do prophesy and indicate the loveliest of souls.

So in America when the sun goes down and I sit on the old broken-down river pier watching the long, long skies over New Jersey and sense all that raw land that rolls in one unbelievable huge bulge over to the West Coast, and all that road going, and all the people dreaming in the immensity of it, and in Iowa I know by now the children must be crying in the land where they let the children cry, and tonight the stars'll be out, and don't you know that God is Pooh Bear? the evening star must be drooping and shedding her sparkler dims on the prairie, which is just before the coming of complete night that blesses the earth, darkens all the rivers, cups the peaks and folds the final shore in, and nobody, nobody knows what's going to happen to anybody besides the forlorn rags of growing old, I think of Dean Moriarty, I even think of Old Dean Moriarty the father we never found, I think of Dean Moriarty.

At lilac evening I walked with every muscle aching among the lights of 27th and Welton in the Denver colored section, wishing I were a Negro, feeling that the best the white world had offered was not enough ectasy for me, not enough life, joy, kicks, darkness, music, not enough night.

LA is the loneliest and most brutal of American cities; New York gets god-awful cold in the winter but there's a feeling of wacky comradeship somewhere in some streets.

We turned at a dozen paces, for love is a duel, and looked at each other for the last time.

What is that feeling when you're driving away from people and they recede on the plain till you see their specks dispersing? — it's the too-huge world vaulting us, and it's good-by. But we lean forward to the next crazy venture beneath the skies.

And oh, that pan-fried chow mein flavored air that blew into my room from Chinatown, vying with the spaghetti sauces of North Beach, the soft-shell crab of Fisherman's Wharf - nay, the ribs of Fillmore turning on spits! Throw in the Market Street chili beans, redhot, and french-fried potatoes of the Embarcadero wino night, and steamed clams from Sausalito across the bay, and that's my dream of San Francisco.