For the present Joseph was incapable of reflecting on possible practical consequences, on all that might flow… — Hermann Hesse
For the present Joseph was incapable of reflecting on possible practical consequences, on all that might flow out of this event, for he was much too preoccupied with the immediate reverberations of it within himself. Like a young plant hitherto quietly and intermittently developing which suddenly begins to breathe harder and to grow, as though in a miraculous hour it has become aware of the law which shapes it and begins to strive toward the fulfillment of its being, the boy, touched by the magician’s hand, began rapidly and eagerly to gather and tauten his energies. He felt changed, growing; he felt new tensions and new harmonies between himself and the world.
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More from this book
In prehistoric times, music, like dance and every other artistic endeavor, was a branch of magic, one of the old and legitimate instruments of wonder-working. Beginning with rhythm (clapping of hands, tramping, beating of sticks and primitive drums) it was a powerful, tried-and-true device for putting large number of people “in tune” with one another, engendering the same mood, co-coordinating the pace of their breathing and heartbeats, encouraging them to invoke and conjure up the eternal powers, to dance, to compete, to make war, to worship. And music has retained this original, pure, primordially powerful character, its magic, far longer than the other arts.
There are many types and kinds of vocation, but the core of the experience is always the same: the soul is awakened by it, transformed or exalted, so that instead of dreams and presentiments from within a summons comes from without.
The Glass Bead Game, formerly the specialized entertainment of mathematicians in one era, philologists or musicians in another era, now more and more cast its spell upon all true intellectuals. ... After Joculator Basiliensis' grand accomplishment, the Game rapidly evolved into what it is today: the quintessence of intellectuality and art, the sublime cult, the unio mystica of all separate members of the Universitas Litterarum. In our lives it has partially taken over the role of art, partially that of speculative philosophy.
