The Pythagoreans had found in the astral order the proportions of the concordant musical scale... a… — Hans Jonas
The Pythagoreans had found in the astral order the proportions of the concordant musical scale... a harmonia... Thereby they created the most enchanting symbol of Greek cosmic piety: "harmony," issuing in the inaudible "music of the spheres," [as] the idealizing expression for the same fact of irrefragable order that astrology stresses less optimistically... Stoic philsophy strove to integrate the idea of destiny as propounded by contemporary astrology with the Greek concept of harmony: to the Stoics is the practical aspect of the harmony, i.e., its action as it affects terrestrial conditions and the short-lived beings here. And since the stellar movements are actuated by the cosmic and this logos functions in the world-process as providence (pronoia), it follows that in this wholly monistic system heimarmene itself is pronoia, that is, fate and divine providence are the same. The understanding of and willing consent to this fate... as the reason of the whole distinguishes the wise man, who bears adversity... as the price... for the harmony of the whole. The existence of the whole... is the ultimate and no further questionable, self-justifying end in this teleological scheme: for the sake of the cosmos its constituent parts exist... for the sake of the whole organism. Man... is by no means the highest mode of being, he is not the end of nature, and the cosmos is not for his sake.
Source: Wikiquote · CC BY-SA 4.0
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In the Mandaean literature, it is a standing phrase: life has been thrown into the world, light into darkness, the soul into the body. ...Ejected into the world, life is a kind of trajectory projecting itself forward into the future.
The ontological relation of Sophia and is best expressed in the statement "the Sophia is called ',' the Demiurge, 'soul' "... For the rest, we meet in the Demiurge of the Valentinians... traits of the world-god... his ignorance first... which in the first place relates to things above him. These, including his mother, remain entirely unknown to him; but also considering his own fashioning beneath himself he "is unthinking and foolish, and knows not what he does and effects"... which permits his mother to slip her own designs into what he believes he does on his own. On his ignorance then is based the second major trait which he shares with the general gnostic conception of the Demiurge: the conceit and presumption in which he believes himself to be alone and declares himself to be the unique and highest God.
The purity of their substance, the perfection of their circular motion, the unimpededness with which in thus moving they follow their own law, the incorruptibility of their being and the immutability of their courses—all these attributes make them in the sense of Greek philosophy "divine"... eminence of being. Among these constancy of being and immortality of life are paramount. Divine, therefore, are the stars, primarily not by their action but by the rank which they occupy in the hierarchy of things according to their immanent properties. And these are just the properties of order, eternity, and harmony which constitute the "cosmos" character of the All in general: this they represent most purely and completely. ...Beyond this ideal significance, their perfection is also the real guarantee of the duration of the whole, i.e., of the eternity of cosmic movement and life. Thus they are the most powerful assurance which the Greek affirmation of the world had been able to conceive.
