# Quote — G. Chesterton, Heretics > This habit of insisting on the wit of the wealthier classes is the last and most servile of all the servilities. It is, as I have said, immeasurably more contemptible than the snobbishness of the novelette which describes the nobleman as smiling like an Apollo or riding a mad elephant. These may be exaggerations of beauty and courage, but beauty and courage are the unconscious ideals of aristocrats, even of stupid aristocrats. The nobleman of the novelette may not be sketched with any very close or conscientious attention to the daily habits of noblemen. But he is something more important than a reality; he is a practical ideal. The gentleman of fiction may not copy the gentleman of real life; but the gentleman of real life is copying the gentleman of fiction. He may not be particularly good-looking, but he would rather be good-looking than anything else; he may not have ridden on a mad elephant, but he rides a pony as far as possible with an air as if he had. And, upon the whole, the upper class not only especially desire these qualities of beauty and courage, but in some degree, at any rate, especially possess them. Thus there is nothing really mean or sycophantic about the popular literature which makes all its marquises seven feet high. It is snobbish, but it is not servile. Its exaggeration is based on an exuberant and honest admiration; its honest admiration is based upon something which is in some degree, at any rate, really there. The English lower classes do not fear the English upper classes in the least; nobody could. They simply and freely and sentimentally worship them. The strength of the aristocracy is not in the aristocracy at all; it is in the slums. It is not in the House of Lords; it is not in the Civil Service; it is not in the Government offices; it is not even in the huge and disproportionate monopoly of the English land. It is in a certain spirit. It is in the fact that when a navvy wishes to praise a man, it comes readily to his tongue to say that he has behaved like a gentleman. From a democratic point of view he might as well say that he had behaved like a viscount. The oligarchic character of the modern English commonwealth does not rest, like many oligarchies, on the cruelty of the rich to the poor. It does not even rest on the kindness of the rich to the poor. It rests on the perennial and unfailing kindness of the poor to the rich. - Author: [G. Chesterton](https://www.leafyquotes.com/g-chesterton.md) - Book: [Heretics](https://www.leafyquotes.com/g-chesterton/heretics.md) - Source: [Wikiquote](https://en.wikiquote.org/wiki/Heretics_(book)#Chapter_XV:_%22On_Smart_Novelists_and_the_Smart_Set%22) ([CC BY-SA 4.0](https://creativecommons.org/licenses/by-sa/4.0/)) - Topics: [society](https://www.leafyquotes.com/topics/society.md) - Quote page: https://www.leafyquotes.com/g-chesterton/heretics/this-habit-of-insisting ## More from this book > And it is not very difficult to see where we have really to look for it. The people (as I tactfully pointed out to them) who really take the name of the Lord in vain are the clergymen themselves. The thing which is fundamentally and really frivolous is not a careless joke. The thing which is fundamentally and really frivolous is a careless solemnity. If Mr. McCabe really wishes to know what sort of guarantee of reality and solidity is afforded by the mere act of what is called talking seriously, let him spend a happy Sunday in going the round of the pulpits. Or, better still, let him drop in at the House of Commons or the House of Lords. Even Mr. McCabe would admit that these men are solemn—more solemn than I am. And even Mr. McCabe, I think, would admit that these men are frivolous—more frivolous than I am. Why should Mr. McCabe be so eloquent about the danger arising from fantastic and paradoxical writers? Why should he be so ardent in desiring grave and verbose writers? There are not so very many fantastic and paradoxical writers. But there are a gigantic number of grave and verbose writers; and it is by the efforts of the grave and verbose writers that everything that Mr. McCabe detests (and everything that I detest, for that matter) is kept in existence and energy. How can it have come about that a man as intelligent as Mr. McCabe can think that paradox and jesting stop the way? It is solemnity that is stopping the way in every department of modern effort. [Quote page](https://www.leafyquotes.com/g-chesterton/heretics/and-it-is-not.md) Topics: [appearances](https://www.leafyquotes.com/topics/appearances.md) > Whistler could produce art; and in so far he was a great man. But he could not forget art; and in so far he was only a man with the artistic temperament. There can be no stronger manifestation of the man who is a really great artist than the fact that he can dismiss the subject of art; that he can, upon due occasion, wish art at the bottom of the sea. [Quote page](https://www.leafyquotes.com/g-chesterton/heretics/whistler-could-produce.md) Topics: [art](https://www.leafyquotes.com/topics/art.md) > The men who have really been the bold artists, the realistic artists, the uncompromising artists, are the men who have turned out, after all, to be writing "with a purpose." [Quote page](https://www.leafyquotes.com/g-chesterton/heretics/the-men-who.md) Topics: [art](https://www.leafyquotes.com/topics/art.md), [writing](https://www.leafyquotes.com/topics/writing.md)