Elizabeth Martínez

Crippling controls make the undocumented worker a very special kind of wage slave, in Marxist terms and more enslaved than waged.

Sometimes we also find a tendency to view everything that's indigenous as good and anything "European"-such as Spain-as evil. That view overlooks such historical realities as the Aztec empire's oppressive domination of other indigenous societies and its class system, which privileged priests and the military. That view also forgets Spain was not a typically European nation after 600 years of rule by the Moors, an Arab/Berber people from Africa.

The real concern of anti-diversity warriors is not with the introduction of politics but with the wrong kind of politics. They want literature to serve a very political function indeed: to sustain, not criticize, the status quo.

The war on multiculturalism can also confuse liberals because, unlike conservatives, they usually do not perceive or accept the connection between racism and domination. They fail to see that racism has never been just a matter of negative attitudes but rather an institutionalized set of power relations.

Looking over the past two decades, we see close ties between gender-related attitudes and political ideology. A law seems to exist that sexism and heterosexism almost always travel alongside reactionary types of nationalism.

We should also recall the exclusively Black-white model of race relations, which makes all other peoples invisible. It is not surprising that two dozen white writers who have been conditioned to see the struggles of Asian/Pacific Island Americans, Latinos and Native Americans as minor would write their books accordingly.

Many young Raza activists today are adopting a vision that embraces the strengths of nationalism while shunning its divisiveness. They call it "native spirituality," or "the natural way," or "indigenismo," and see it as that revolutionary worldview we urgently need...indigenismo can subvert the colonized mentality found among mestizo peoples that elevates the European and denigrates the Indian. For Chicano/a youth, discovering they have roots in indigenous, often advanced, pre-Columbian cultures can help develop a sense of potential empowerment.

The most striking change during the past 20 years can be seen in attitudes toward homophobia. In the late 1960s and early 1970s, an almost total silence hung over gay and lesbian advocacy. No openly gay person could be a movement leader. Today homophobia persists; most progressive, straight Chicanos as well as Chicanas still fail to see gay and lesbian rights as another struggle of other oppressed people. Too many still fail to see homophobia as a sometimes murderous force of discrimination. But the situation has improved, especially in some major cities, in academia and among youth.

The voices of the grassroots, of people like Fannie Lou Hamer, must always be heard if we are to understand the past and move effectively toward the future

From those two books, and others that examine student activism at length, you would never know that during a single week of 1968 at least 10,000 Chicano high school students in Los Angeles walked out of school to protest racist policies. You would never know there was a "Yellow Identity Movement" of Chinese and other Asian students at universities in California and New York City. You will learn nothing of the potent Third World student strikes of 1968-69 in San Francisco. Gitlin's book does not even mention any movement of color except the Black civil rights movement until page 433. There he speaks of "an amalgam of reform efforts, especially for civil rights (ultimately for Hispanics, Native Americans, and other minorities as well as blacks)." Six words, and in parentheses at that, for the thousands of Asian, Latino and Native American people who lived and sometimes died for liberation and social justice in those years.

In the provocation and shaping of that consciousness, Chicana artists and writers have had great influence. We would not be as far along as we are today without the heretical work of painters Yolanda López and Ester Hernández, whose militant transformations of the Virgin of Guadalupe offer a liberation never before available. We would not be this far along without painter Juana Alicia's images of Latina women as strong survivors. We would not be this far along without some biting poems from Sandra Cisneros, the multifaceted work of feminist writer Ana Castillo, the beautifully bold writing of lesbian authors Cherríe Moraga and Gloria E. Anzaldúa mentioned above. Not to mention the performance art of lesbian comedians like Marga Gómez and Monica Palacios. So many more names could be set down; all have nurtured the feminist impulse of young Chicanas, especially those in their upper teens and early twenties.

We need to see how dance, music, theater, art, poetry, are major arenas for alliance-building, especially among youth. Culture can usher in new visions (Afterword)