We came out on Hollywood Boulevard, on the corner of Chaos and Sensory Overload, the worst possible place to… — Connie Willis

And why take a chance on a new movie when they can do a sequel or a copy or a remake of something they already own? And while we are at it, why not star remakes in the remake? Hollywood, the ultimate recycler!

“Contrary to popular belief, the computer graphics revolution didn’t kill the musical,” the prof said. “The musical kicked off,” he paused to let the class titter, “in 1965.…

“The musicals, with their contrived storylines, unrealistic song-and-dance sequences, and simplistic happy endings, no longer reflected the audience’s world.”

I’ve never understood why the faces, who have nothing to sell but an original personality, an original face, all try to look like somebody else. But I guess it makes sense. Why should they be different from everybody else in Hollywood, which has always been in love with sequels and imitations and remakes?