Charles Stross
Quotes
The idea of Curious Yellow, of surrender to a higher cause, seems to appeal to a certain small subset of humanity. These people manipulate the worm, customizing its payload to establish quisling dictatorships in its shadow, and the horrors these gauleiters invent in its service are far worse than the crude but direct tactics the original worm used.
p. 210
Can I remember— “I remember lots,” I say. How much of what I remember is true is another matter.
p. 250
I’m not going to make the mistake of appealing to your patriotism: It’s a deflating currency these days, and an ambiguous one. But I would like to put a word in for ethics, fair play, and enlightened self-interest.
p. 274
Where would dictators be without our compliant amnesia? Make the collective lose its memory, you can conceal anything.
p. 288
Time is a corrosive fluid, dissolving motivation, destroying novelty, and leaching the joy from life. But forgetting is a fraught process, one that is prone to transcription errors and personality flaws. Delete the wrong pattern, and you can end up becoming someone else. Memories exhibit dependencies, and their management is one of the highest medical art forms.
p. 22
“Bad day at the office?”
“It’s always a bad day at the office, insofar as the office exists in the first place.”
p. 302
“You have an evil mind!”
“And this is a bad thing how, exactly?”
p. 235
There used to be an old joke in role-playing circles—it isn’t funny these days—that there were only a thousand real people in the UK—everybody else was a non-player character. Now it’s pretty much the reverse.
p. 272
Never trust a man who thinks his religion gives him all the answers.
p. 275
I killed you! And you didn’t even notice!
p. 235
It’s a thing of beauty, the ability to spin the cloth of reality, and you’re a sucker for it: Isn’t story-telling what being human is all about?
p. 96
I’m wearing black leggings and a loose top festooned with a Menger sponge of empty pockets stitched out of smaller pockets and smaller still, almost down to the limits of visibility—woven in freefall by hordes of tiny otaku spiders, I’m told, their genes programmed by an obsessive-compulsive sartorial topologist.
p. 22



