“So. Tell me. What do you think? Which is better? To take action and perhaps make a fatal mistake - or to… — Ahdaf Soueif

— and there, on the table under her bedroom window, lies the voice that has set her dreaming again. Fragments of a life lived a long, long time ago. Across a hundred years the woman’s voice speaks to her — so clearly that she cannot believe it is not possible to pick up her pen and answer. (first lines)

It can't be that bad. Surely it can't be that bad. There must be a way, only we can't see it yet. A way of making a space for ourselves where we can make the best of ourselves - we just can't quite see it yet. But things move on and by the time you've plotted your position the world around you has changed and you're running - panting to catch up. How can you think clearly when you're running? That is the beauty of the past; there it lies on the table: journals, pictures, a candle-glass, a few books of history. You leave it and come back to it and it waits for you - unchanged. You can turn back the pages, look again at the beginning. You can leaf forward and know the end. And you tell the story that they, the people who lived it, could only tell in part.

There have been those among us who have been so dazzled by the might and technological wizardy of Europe that they have been rather a man who stands lost in admiration at the gun that is raised to shoot him.